After two days of miserable weather at ConExpo 2020, the sky began to clear and for a time we were treated to a blue sky with great clouds. Walking by a Kobelco Crawler Crane, I highlighted the yellow boom against what was going on above. Keeping it simple and at the same time creating a lot of space for text if it were to be chosen from my cover submissions.
Trying to capture the scope of a trade show on the scale of ConExpo really requires some height. To tell the story of the size of the show, I’ve shot from parking garages, rooftops, hotel rooms and exhibit scaffolding.
Over the weekend prior to the show, I shot what I hoped would be a cover image from an adjacent parking garage rooftop, after getting permission from the very nice manager of the hotel that owned it (trespassing to get a shot is not advised, especially in Las Vegas). Nice light, most of the crane lot in frame. Only one problem, most of the show was not in nice light and if you attended the show you probably didn’t see the blue skies of the weekend. The image that was actually was chosen by my editor was shot by me out a hotel window of the Sahara Hotel across the street from the crane lot right after one of the rainstorms that confronted us during the first few days of the show. And yes that’s the parking garage in the distance where I shot what I thought would be the cover….
It’s always fun to get a call for an image that will tell a story. In this case, I was asked if I could capture some images for a feature story on wire rope. Yes, a spool of wire rope would represent the story line but capturing the application of the product opens up the possibilities for far more interesting images that hopefully draws the reader into explore the story.
Was excited to see the July issue of American Crane and Transport hit the stands today. I was asked to share my experience covering the largest equipment tradeshow in the world as a photographer and the article includes six pages of images I captured during that week in Munich. The editor also decided to go with one of my abstracts for the cover which made this issue even more special.